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Chicana/Latina Studies

THE JOURNAL OF MUJERES ACTIVAS EN LETRAS Y CAMBIO SOCIAL

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Sarah Ortegon

I employ the use of traditional Native American beadwork along with acrylic paint on thirty-by-thirty-inch canvases. The use of thirty-inch-square canvas is in conjunction with the state of Wyoming as well, since the borders of the state create a rough square.

My art focuses on the strength of the feminine energy, through the depiction of my daydreams mixed with what I imagine to be visions of freedom from my point of view. This body of work specifically touches on “deconstructing the equality state: remnants of colonialism, trauma and invisibility,”

We as women are the only ones who can create a life within ourselves. That is what I am doing through these paintings: each one of them is my child that I have nurtured to have a beautiful existence.

Excerpt from Ortegon, Sarah. 2016. “Artist Statement: Four Directions.” Journal of Mujeres Activas en Letras y Cambio Social 16(1): 10-14.

"Heart of The People/Buffalo Mound" (2016) by Sarah Ortegon
“Heart of The People/Buffalo Mound” (2016) by Sarah Ortegon
Detail of "Heart of The People/Buffalo Mound" (2016) by Sarah Ortegon
Detail of “Heart of The People/Buffalo Mound” (2016) by Sarah Ortegon
"Buffalo Heart" (2016) by Sarah Ortegon
“Buffalo Heart” (2016) by Sarah Ortegon
"Under One Moon" (2016) by Sarah Ortegon
“Under One Moon” (2016) by Sarah Ortegon
"First Jingle Dress" (2016) by Sarah Ortegon
“First Jingle Dress” (2016) by Sarah Ortegon
Detail of “Meadowlark Song II” (2016) by Sarah Ortegon
Detail of “Meadowlark Song II” (2016) by Sarah Ortegon
"Eagle Dance" (2016) by Sarah Ortegon
“Eagle Dance” (2016) by Sarah Ortegon

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