“Tattoo” by Alma Lopez
This focused issue of Chicana/Latina Studies represents the first attempt to bring scholarship on Chicana art together in one volume, thus highlighting the critical dexterity and intellectual genius of its proponents. The scholarship included in this focused issue not only challenges the voids and erasures that exist in the art historical canon, but also questions the very structures and intellectual approaches to modern and contemporary art traditionally taken up by art historians and critics.
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EDITORS/ COMMENTARY
Tiffany Ana López
Art, Discourse, Dialogue
Guisela M. Latorre
Chicana Art and Scholarship on the Interstices of Our Disciplines
ESSAYS
Constance Cortez
History/Whose-Story? Postcoloniality and Contemporary Chicana Art
Laura E. Pérez
Maestrapeace: Picturing the Power of Women’s Histories of Creativity
María Herrera-Sobek, Guisela M. Latorre, and Alma Lopez
Digital Art, Chicana Feminism, and Mexican Iconography: A Visual Narrative by Alma Lopez in Naples, Italy
R. Aída Hernández Castillo
State Violence and Gender in San Salvador Atenco, Mexico
POETRY
Lorena Macias
Trophies
reina alejandra prado
Sangre Ardiente
reina alejandra prado
Red August Moon
reina alejandra prado
La Diabla
Diana Marie Delgado
Free Cheese & Butter
Diana Marie Delgado
Extremis
Diana Marie Delgado
Correspondence
Irene Lara
Our Lady at the Meyer Library
IN REVIEW
Anita Tijerina Revilla
Desert Blood: An Insight to the “factory of Killers” in Juárez, México
